Programme

Day One: Friday 24th October
Day Two: Saturday 25th October
Day Three: Sunday 26th October

DAY ONE
08:30 Registration
09:00 Welcome by Visual Theology
Madeleine Emerald Thiele and Dr. Flora Armetta
09:30 – 11:00 Panel One: Devotion in Chaos
Chair: Dr. Flora Armetta
Dr. Sarah Elizabeth Maple, Mount St. Mary College – Chaos in Clarity: An Abstract Language of Prayer at the Monastero Benedettino SS. Pietro e Paolo

Whitney White, University of Vienna – A Woman’s Touch: Art, Beauty and the Woman Artist and Religious Revival in Medieval and Victorian England
 
Ava Romano, CUNY Hunter College – Organized Chaos in the Liber Floridus: Practice and Production in the Benedictine Library and Scriptorium at the Abbey of Saint-Omer
 
11:00 – 11:15 Break
11:15 – 12:15 Artist Keynote Address
Chair: Dr. Flora Armetta
Anthony Visco, Founder and Director, Atelier for the Sacred Arts – Fractured Beauty
12:15 – 13:15 Lunch (on your own)
13:15 – 15:15 Panel Two: Fractured Forms
Chair: Dr. Margaretta Frederick
Kathleen Carr, President, Catholic Art Institute – Medieval Art, the Nineteenth Century, and a Return to Authenticity and Beauty During Uncertain Times

Professor Conner David McCain, St. Joseph’s Seminary – An Image of the Invisible God: On Musical Paleography and the Spiritual Life

Father Joseph Simmons, S.J., Marquette University – Capturing Hearts, Minds, and…Unicorns? Embracing Limits in an Age of Artificial Intelligence

Dr. Anthony Santella, Memorial Sloan Kettering Cancer Center – The Last Lily: Reflections on Hope, Labour, and the Machine
15:15 – 15:30 Break
15:30 – 17:00 Panel Three: Medievalism, Revival, and Reform
Chair: Father Joseph Simmons, S.J.
Dr. Gregory Erickson, Gallatin School, New York University – Reframing Mary Magdalene

Luci Frerichs Parrish, Nazarene Theological College, University of Manchester – The Anglo-Catholic Aesthetics of Dorothy L. Sayers: The Influence of Medievalism and Tractarianism in The Zeal of Thy House and The Devil to Pay

Dr. Catherine Enwright, Boston Latin School – David Jones’s Neo-Medievalism After the ‘Break’
17:00 – 17:20 Break
17:20 – 18:30 Keynote Address
Chair: Dr. Flora Armetta
Dr. Tracy Chapman Hamilton, Sweet Briar College – Collecting and Curating Women Patrons and Artists: Fragments of the Past through Connections to the Present
18:30 Cocktails, Wiggins Bar (on your own)
19:00 Conference Dinner, Salmagundi Club Members’ Dining Room
DAY TWO
08:30 Registration
08:45 Welcome by Visual Theology
09:00 – 10:30 Panel Four: Visual Exegesis
Chair: Dr. Jaspreet Singh Boparai
Dr. Gareth Polmeer, Royal College of Art, London, and Margaret Beaufort Institute of Theology, Cambridge – Disintegration and Creation: Technological Symbols and Sacred Images 

Professor Christine Perrin, Honors Program, Messiah University – Quickened Sight: Gerard Manley Hopkins in the Pull of Beauty and Brokenness 
10:30 – 11:00 Break
11:00 – 12:00 Artist Roundtable with Visual Theology
Maya Brodsky, Visions of the Past 
12:00 – 12:45 Lunch (on your own)
12:45 – 13:45 Panel Five: Converting Forms and Faiths
Chair: Nadezhda Gribkova
Dr. Elizabeth Greeniaus, Skidmore College – George Eliot’s Other Beauty 

Dr. Mitchell Kooh, Villanova University – Dunstan Thompson, Romantic Longing, and the Fragment as Form: Three Approaches, Two Poets, One Poem
13:45 – 15:15 Panel Six: Reaping and Repairing
Chair: Dr. Flora Armetta
Emily Maeda, Vice President and Creative Director, Tree of Life Landscapes – The Garden: Our End is Given in the Beginning

Elizabeth Goings, Institute for Theology, Imagination, and the Arts, University of St. Andrews – Beholding and Belonging: Thomas Cole’s American Landscapes as a Renewed Vision for Creation Care

Dr. Margaretta Frederick, Curator Emerita, Bancroft Pre-Raphaelite Collection, Delaware Art Museum – Frederic Shields: Preaching the Faith in the Victorian era, and the Lingua Franca of Renaissance Imagery
15:15 – 15:30 Break
15:30 – 17:00 Panel Seven: Fragments of Crucifixion
Chair: Dr. Gareth Polmeer
Nadezhda Gribkova, University of Chicago – Fyodor Dostoevsky’s Cruciform Aesthetic: Visual Theology and the Fragmented Form in the Nineteenth-Century Realist Novel
 
David Willey, Baylor University – “Leave me to my crucifix”: Representations of Spiritual Desire in Charles Ricketts’s and Oscar Wilde’s Edition of The Sphinx

Dr. Jaspreet Singh Boparai, Senior Fellow, Pharos Foundation – From Connoisseurship to Conversion: Huysmans, Modern Art, Christian Tradition
17:00 – 17:20 Break
17:20 – 18:20 Keynote Address
Chair: Madeleine Emerald Thiele
Julia Yost, Senior Editor, First ThingsTo Heaven, Through Hell: The Decadent Ekphrasis of J.K. Huysmans
18:20 – 18:40 Closing Remarks and Special Speakers Gathering
DAY THREE
10:30 Tour, Met Cloisters
Simon Quaglio, Cloisters in a Nunnery, 1835, Met Museum.